one way that i keep myself sane is to make a practice schedule and keep it up to date. 3) Play … Here are the requirements. - Parties, Tours, Projects & More... Information - - Concerts, News,FAQs, Archives, ... Visit Virtual Sheet Music to learn more... Powered by UBB.threads™ PHP Forum Software 7.7.4, Quick Links to Useful Piano & Music Resources. (cool if you are… i’m not.) Hey guys. and they’ll have to accept you immediately before some other school offers you a better scholarship. Percussion Performance on snare drum, keyboard … Hey guys. 2. it’ll feel more challenging and fun during the next 4+ months than an easy piece. ok…everybody think for a second about how next february (only 4 months away!) Scales and Arpeggios you probably are going to choose a classical and a rudimental piece. and soon i’ll be opening up our winter boot camp (!) Two or three contrasting works of your choice. i would argue that there’s always more that you can do but still you might not want to be too bored for the next 4 months.2. right now is the most important time to be diving into your college audition rep. you should pick your pieces NOW and work on them basically constantly from now until the day you leave for the audition. here’s the next issue to consider: your college audition is your entrance into a new school. 30, No.1-Gershwin Prelude 1-Mozart Turkish March some days i’ll feel good about my playing. it’s sort of like a butterfly effect. and in the moment of the audition when you’re playing something well within your ability, that’s priceless. if you’re choosing one or the other… DEFINITELY a classical piece since they have much more variety than rudimental music in general. Most university music programs have audition requirements which demand the repertoire of. Students wishing to study organ but with little or no organ experience may audition on piano (see piano audition guidelines). but the purpose of learning your college audition repertoire isn’t just to get better, it’s to get into a college. UNDERGRADUATE: Two or three contrasting selections from the standard repertoire. this is an interview with nathan hughes, principal oboist of the metropolitan opera and faculty at juilliard. usually you’re asked to do a 2-mallet piece and a 4-mallet piece. she has one of the most thoughtful and well-rounded practice routines and all instrumentalists (not just violinists) should watch this. There is a gulf between a major music conservatory audition and a tryout to study piano for a BA in music education. you want to be getting into the best college your playing allows you to get into. it means a better education you’ll get, better tips from teachers and conductors, and you’ll play better music.

and when you’re thinking about musicality rather than playing all the notes, so will the audition panel. “do we wanna accept this guy? and look… this isn’t the advice i’d give you if you’re thinking about what pieces to play in a non-college audition year.

One of these works must be a Barret or Ferling etude, and the other must be a piece or movement of a piece from the standard solo repertoire. it’ll be an athletic event rather than an emotional musical experience. Competitions, and Workshops. his music is the best. you should be getting your program together now and starting to learn the notes in a very deep way. J. S. Bach Prelude and Fugue or Suite One movement of a Classical Sonata Romantic Piece Impressionist, 20th Century, or Contemporary piece I'm going to be playing-Chopin Mazurka in C Minor Op. what are your strengths on your instrument? I am not sure from your question if you have limited familiarity with post 1940 piano repertoire or whether you just wanted suggestions. if you’re just in undergrad or high school and trying to get better, you should choose something really hard and really exciting to push yourself to learn how to do lots of new things. EVENTS! Full-range chromatic scale and major and minor scales required (at least two octaves; three octaves if possible). pretty fascinating to see how their approaches are so different from each other. I did the Partita VI;toccata movement. My question is, do you think these pieces are good for the audition? . so i was fortunate to talk to augustin hadelich, international violin soloist, about how he gets ready to play a different concerto with a different orchestra every week. what do you want to SAY? Students who submit pre-screening videos by November 1st will be given an indication via email about whether to apply online to the UW by the December 1st deadline and plan a campus audition, as soon as the videos are viewed. Memorization of all audition pieces is highly recommended. that’s it! let me know in the comments!!! Prospective students will complete exercises in pitch-matching (timpani) and sight reading (snare drum and marimba.) if you’ve never done this kind of polished work you’re going to be surprised at how intense it can be. where we can work together on your audition prep. it’s a hard piece. oh well, i guess i’ll pretend to be a professional musician and play the triangle again today.”. the better the college you get into, the better the players around you will be. so STRETCH yourself a little bit and choose something slightly beyond your ability, but not TOO far beyond it. Piano: 1) Major scales 3 octaves, hands together. Two contrasting selections from the standard repertoire. if it’s really too easy then the judges might hold that against you. I have an audition coming up for a music school. make sure that if you play them all in one sitting, which you will, then it’s a well-balanced program. you have to find every little out-of-place note and knock it into place… every measure has to have a phrase and every dynamic change has to clearly come out. velocities by joseph schwantner is ‘owned,’ in my mind, by jake nissly who played the shit out of that piece in college. that’ll put you in the best position to do well on that all-important day that has such a profound impact on your future career as a musician. GRADUATE: In addition to the above, please prepare four contrasting orchestral excerpts, one of which must be from a cantata by JS Bach. or whatever the parallel analogy is for learning music. if you choose a show piece with lots of crazy runs and fast tempos, it has the potential to wow the panel. this is an important time in your life so you want to put everything else on the back burner. for my undergrad auditions i play tambourin chinois by fritz kreisler and bach’s figue in g minor. i’ve been dealing with the same issues, but i’m finally out of the funk. you’ll be so much more excited to jump into the practice room every day when you’re putting together a monster of a piece. And what would you play for an audition? each little bit of practicing affects future you. in the next month i’m going to do my best to help you figure out how to practice for february auditions. you might feel like you’ve done all you can do by december and it sucks that you have to practice the same piece for 2 more months. there might be techniques that you don’t know how to play, and there’s no certainty that you’ll be able to overcome those weaknesses by audition day. the audition panel may think you’re a badass. 2) Be able to play and improvise 3 jazz standards in solo piano style (e.g., Green Dolphin Street, My Romance, All the Things You Are, Night and Day, Blue Bossa, I Love You, Confirmation, St ella By Starlight). are you more of a traditionalist and find the most value in elegant music like bach and schumann? what kind of music do you like? UNDERGRADUATE: Two pieces of contrasting style (etudes or solo pieces); major scales; chromatic scale demonstrating your full range; Sight reading. Piano Pieces for College Auditions? Applicant's choice for additional repertoire. At least one of the three pieces must be performed from memory. One of my personal favorite piano pieces is “Rivers flow in you” by Yiruma.

I am unsure of what I want to do but I find conducting, music composition, and music performance very interesting. hailed by @nytimes and james levine as needing 'louder triangle notes'. I rarely see people here making suggestions for audition pieces, probably because it would be extremely difficult to make a useful suggestion without knowing more about the musician's other repertoire, musical taste, etc. @metorchestra. with your college audition piece, you’re going to polish it. your eyes might be bigger than your mouth. The Prelude and Fugue is considered as one piece, not two. an easy piece won't present any crazy new challenges and it will feel like less of a risk. Maybe even a Partita movement if you're up for it.

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